Entertainment Performing Arts Top 8 Styles of Tango Share PINTEREST Email Print Julian Finney / Getty Images Performing Arts Dance Styles Basics Gear Singing Acting Musical Theater Ballet Stand Up Comedy By Treva Bedinghaus Treva L. Bedinghaus is a former competitive dancer who has studied ballet, tap, and jazz. She writes about dance styles and practices and the history of dance. our editorial process Treva Bedinghaus Updated May 21, 2018 If you're new to tango, you may be surprised to learn how many different styles there are. The various tango styles differ in both tempo (music speed) and basic dance movements. The tango styles can be divided into two categories, close embrace, and open embrace. In a close embrace, partners dance very close to each other. In an open embrace, partners dance further apart, allowing the opportunity for a wider range of movement. The following list contains the top 8 styles of tango. 01 of 08 Tango Salon Salon-style tango is usually danced with an upright body position and can be danced in either an open or a closed position. Salon-style is characterized by both partners staying on their own axis, and by maintaining a flexible embrace that allows for rotations of the hips of both partners. Dancers must remain aware of the line of dance at all times. Salon-style tango is usually danced to the strongly-accented beats of tango music played in 4 by 4 time. 02 of 08 Tango Milonguero Milonguero-style tango is usually danced in a close embrace, with a slightly leaning posture. Partners must maintain constant upper body contact throughout the entire dance, even during turns. While some instructors of the style will coach dancers to lean against each other, others prefer that they maintain their own balance. Dancers should lean forward only enough to remain in the embrace. This embrace is often referred to as Apilado. 03 of 08 Club Tango Club-style tango is a mixture of the salon and milonguero styles of tango. Club-style is danced in a close embrace, with partners loosening their embrace during turns. Club-style tango is danced with an upright posture. 04 of 08 Tango Orillero The term orillero means "tango from the outskirts of the city." Orillero-style tango can be danced in either the open or close embrace, although it is mostly performed in open embrace, allowing both dancers to take steps outside of the embrace. Many people agree that orillero-style tango is one of the easiest to master. 05 of 08 Tango Canyengue Tango canyengue is an historical form of the dance that originated in the 1920s and 1930s. This style is danced in close embrace, with dancers typically moving with bent knees to allow for smaller steps. Body movements are exaggerated in order to accent the small steps. 06 of 08 Tango Nuevo Tango Nuevo (new tango) developed as a style upon careful analysis of the basic structural movements of tango dancing, and the discovery of new step combinations. Tango Nuevo is danced in an open, loose embrace in an upright posture, and each dancer must maintain their own axis. This style can be performed with either traditional tango music or more contemporary, non-tango music. 07 of 08 Fantasia Fantasia (show tango) is danced in tango stage shows. Fantasia, which combines several different tango styles, is danced in open embrace. This style of tango is characterized by exaggerated movements and "extra" dance elements not usually associated with basic social tango. The additional movements are often taken from the dance style of ballet. 08 of 08 Ballroom Tango Ballroom tango was developed from Argentine tango styles but modified to fit into the category of ballroom dancing. Ballroom tango incorporates different techniques than the smooth, Argentine dances. Tango is considered one of the easiest of the ballroom dance styles, making it a great choice for beginners. Ballroom tango is divided into two categories, American Style, and International Style. Each of these styles is considered to be a social and competitive dance, but International Style is generally used more often in ballroom competitions.