Activities Hobbies How to Paint Values Realistically Selecting the Correct Value Helps Create a Sense of 3-Dimensional Form Share PINTEREST Email Print krisanapong detraphiphat/Getty Images Hobbies Fine Arts & Crafts Contests Couponing Freebies Frugal Living Astrology Card Games & Gambling Cars & Motorcycles Playing Music Learn More By Marion Boddy-Evans Marion Boddy-Evans Marion Boddy-Evans is an artist living on the Isle of Skye, Scotland. She has written for art magazines blogs, edited how-to art titles, and co-authored travel books. Learn about our Editorial Process Updated on 07/03/19 If you were to use a photo-editing program to remove the color from a realistic painting of a person so it contains shades of gray only, you'd clearly see how close some of the color choices are in value or tone. By seeing value from lightest to darkest, you'd then be able to select the appropriate color for the value. The skin tones, for instance, might blend together into one value, whereas you'd want at least three (light, medium, dark) to create a sense of three-dimensional form. Although the shadow under the legs might be dark, there may not be enough dark value on the undersides of the legs leading into this shadow. The two colors can blend into one dark tone. Unfortunately, there is no "quick fix" when it comes to selecting colors with the right values. It's a question of spending some time learning to associate X color with Y tone. The good news is that, with time and experience, it becomes instinctive. The First Step The first step to solving this problem is to spend some time creating a value chart of skin tones from the colors you use. Do it for all the colors you'd typically use for skin tones. Then when you're painting and you want a light value, for instance, you consult the chart and know exactly what the color is you need to use. It's a rather a methodical approach, but with time the knowledge will become instinctive. (Ideally, you'd do it for every color you use, but realistically it's too time-consuming and few people do.) The Second Step The second step is to simply for a subject into five values only and doing a gray-scale value study before you tackle the "real" painting. Start by blocking in the medium tone, then the dark, then the light. Then refine it by putting in a tone between your medium and light, and another between your medium and dark. (You can take it further and put in another two tones, but I think five works just fine.) Look at it again and rework the lightest and darkest tone if needed. Now paint up a value scale with your five grays from your study, then find the equivalent tones in your skin colors and paint up a chart of these five "colored values". Paint the study again using those five skin values only. Use the same grays chart to judge the values of the colors you select for the other elements in the painting, such as clothing or hair. Also, don't forget that the color of the paper can serve as one of your five tones, rather than as the background color. Another approach to consider is to reduce the number of colors you're using, whether to monochrome or a limited palette. Fewer colors mean fewer chances of getting a value wrong.