Hobbies Playing Music Musical Forms and Styles of the Baroque Period Share PINTEREST Email Print Johann Sebastian Bach is one of the most famous composers of the Baroque period. De Agostini Picture Library/Getty Images Playing Music Music Education Music History Basics Music Lessons Music Theory Playing Guitar Playing Piano Home Recording By Espie Estrella Espie Estrella Espie Estrella is a lyricist, songwriter, and member of the Nashville Songwriters Association International. Learn about our Editorial Process Updated on 04/06/19 In 1573, a group of musicians and intellectuals came together to discuss various subjects, especially the desire to revive Greek drama. This group of individuals is known as the Florentine Camerata. They wanted lines to be sung instead of simply being spoken. From this came the opera, which existed in Italy around 1600. The composer Claduio Monteverdi was an important contributor, specifically his opera "Orfeo." This was the first opera to gain public acclaim. At first, opera was only for the upper class or aristocrats, but soon even the general public patronized it. Venice became the center of musical activity during the Baroque period. In 1637, a public opera house was built here. Different singing styles were developed for the opera, such as: Recitative: Imitating the pattern and rhythm of speech.Aria: A character expresses feelings through a flowing melody.Bel canto: Italian for "beautiful singing."Castrato: During the Baroque period, young boys were castrated before they reached puberty to avoid the deepening of the voice. Main roles of the opera were written for the castrato. St. Mark's Basilica This basilica in Venice became an important venue for musical experiments during the early Baroque period. The composer Giovanni Gabrielli wrote music for St. Mark's, as did Monteverdi and Stravinsky. Gabrielli experimented with choral and instrumental groups by positioning them on different sides of the basilica and making them perform alternately or in unison. Gabrielli also experimented in the contrasts of sound — fast or slow, loud or soft. Musical Contrast During the Baroque period, composers experimented with musical contrasts that differed greatly from the music of the Renaissance. They used what is known as a melodic soprano line supported by a bass line. Music became homophonic, meaning it was based on one melody with harmonic support coming from a keyboard player. Tonality was divided into major and minor. Favorite Themes and Instruments Ancient myths were a favorite theme of Baroque opera composers. Instruments used included brass, strings, especially violins (Amati and Stradivari), harpsichord, organ, and cello. Musical Forms From the Baroque Period Aside from the opera, composers also wrote numerous sonatas, concerto grosso, and choral works. It is important to point out that composers at the time were employed by the Church or by aristocrats and as such, were expected to produce compositions in large volumes, at times in a moment's notice. In Germany, organ music using the toccata form was popular. Toccata is an instrumental piece that alternates between improvisation and contrapuntal passages. From the toccata emerged what is known as prelude and fugue, instrumental music beginning with a short, freestyle piece (the prelude), followed by a contrapuntal piece using imitative counterpoint (the fugue). Other music forms of the Baroque period are the chorale prelude, mass, and oratorio. Notable Composers Jean Baptiste-Lully: Wrote Italian opera. Domenico Scarlatti: Composed over 500 sonatas for the harpsichord. Antonio Vivaldi: Wrote operas and over 400 concertos. George Frideric Handel: Composed operas and oratorios, the most famous of which is "Messiah." Johann Sebastian Bach: Composed thousands of works in various forms, excluding opera.