Entertainment Music Biography of Juan Luis Guerra Share PINTEREST Email Print Noam Galai/Getty Images Music Latin Music Rock Music Pop Music Alternative Music Classical Music Country Music Folk Music Rap & Hip Hop Rhythm & Blues World Music Punk Music Heavy Metal Jazz Oldies Learn More By Tijana Ilich Updated January 27, 2019 Internationally, Juan Luis Guerra is the most well-known musician from the Dominican Republic, selling over 30 million records worldwide and winning 18 Latin Grammy Awards and two Grammy Awards throughout his career. Known as a producer, singer, composer, songwriter and all-around musician, Guerra is one of the most recognizable names in Latin music. Along with his Band 440 (or 4-40), named after the standard pitch of "A" (440 cycles per second), Guerra produced music that combined merengue and Afro-Latin fusion styles to form a sound unique to Guerra. Born Juan Luis Guerra-Seijas in Santo Domingo, the Dominican Republic on June 7, 1957, Guerra was the son of Olga Seijas Herrero and famous baseball legend Gilberto Guerra Pacheco. Not much else is know about his early childhood, especially as it relates to music. In fact, according to his early college education, he may not have discovered his musical talent until he was well into his teens. A Musical Education When Guerra graduated from high school, he entered the Autonomic University of Santo Domingo, enrolling in courses in Philosophy and Literature. A year later, his true passion became clearer and Guerra moved to the Music Conservatory of Santo Domingo. Subsequently, he won a scholarship to the prestigious Berklee College of Music in Boston where he studied musical arrangement and composition and met his future wife, Nora Vega. Finishing college, he returned home and found work as a musical composer in television advertising. He also played guitar locally; it was during these gigs that he met the vocalists that eventually became his band, the 4-40. In 1984, Guerra and the 4-40 released their first album, "Soplando." Guerra was very interested in jazz, and he described the music as a “fusion between traditional merengue rhythms and jazz vocalizations." Although the album didn’t do very well, it was re-released in 1991 as "The Original 4-40" and today is considered a collector’s item. The Big Times: Signing a Record Deal In 1985, the 4-40 signed a contract with Karen Records and in an attempt to be more commercially accepted Guerra altered their musical style to reflect the very popular, more commercial merengue style. Guerra included sections of "perico ripiao," a form of meringue that added the accordion to the more traditional orchestration and was often performed at a very fast pace. The next two albums the 4-40 released under their name followed the same formula, but due to a rising popularity and recognition and a constantly fluctuating lineup in the band, the group's name changed to feature Guerra as the central vocalist and their next album "Ojala Que Llueva Café" ("I Wish It Would Rain Coffe") came out under the name "Juan Luis Guerra and the 4-40." The success of "Ojala" was followed by "Bachata Rosa" in 1990, selling 5 million copies and winning a Grammy. Still today "Bachata Rosa" is considered a seminal album in Dominican music, and although Guerra is not primarily a singer of traditional bachata, this album brought world-awareness to a Dominican form of music that was limited in popularity to the Dominican Republic itself before its release. Guerra's European Tour and "Fogarte" 1992 saw the release of "Areito," and the beginning of a sea of controversy for the group as the album focused on poverty and the poor conditions on the island as well as in many other parts of Latin America. Guerra's countrymen did not care for this change of tone from upbeat music to social commentary, but the album was well received in other parts of the world. As a result, Guerra spent that year touring Latin America and Europe, spreading more of his message and culture to the rest of the world, a dream he had envisioned for much of his adult life in leaving his island home. But living on the road was starting to get to him. His anxiety was high, touring was wearing him down, and he started to wonder whether any amount of success was worth living like this. Still, he released "Fogarte" in 1994, which was met with limited success and the criticism that his music was getting stale. Retirement and a Christian Return Guerra did a couple of concerts to promote the album, but it was clear from his performances and a dwindling turnout that he was getting burnt out. Fortunately, he announced his retirement in 1995 and concentrated on acquiring local television and radio stations and promoting unknown local talent. During the four years of his retirement, Guerra became interested in and converted to Evangelical Christianity. When he came out of retirement in 2004, it was to present the world with his new album "Para Ti," which was mostly religious. The album did well, garnering two Billboard awards in 2005 for "Best Gospel-Pop" and "Tropical-Merengue." Guerra's music is neither strictly merengue nor bachata but blends those basic Dominican rhythms and forms with his love of jazz, pop, and rhythm and blues—or whatever musical style had caught his interest at the moment. His lyrics are poetic, his voice smooth with a slightly rough edge, his musical sensibility always original. Even on his newest album, 2007's "La Llave de Mi Corazon," his extraordinary range and talent is on full display, proving that the sound and soul of the Dominican Republic still lives on in the music scene of today.