Best Picture Oscar Winners of the 1940s

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John Ford’s touching coming-of-age story in a Welsh mining village is a fine movie from a lovely novel, but history has rightly judged Orson Welles' Citizen Kane as the better movie. A masterpiece of film noir, The Maltese Falcon, also missed the prize, along with the charming biopic Sergeant York; the melodramatic stage hit The Little Foxes; and Hitchcock’s spellbinding Suspicion. Other movies that lost in 1941 were the delightful Here Comes Mr. Jordan, Blossoms in the Dust, Hold Back the Dawn and One Foot in Heaven.

The sweet, sentimental tale of wartime bravery and sacrifice in Great Britain

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Thanks to Casablanca, we’ll always have Paris. Michael Curtiz’s cherished story of wartime love and sacrifice was the clear winner in 1943, beating out William Wellman’s gritty western allegory The Ox-Bow Incident; the frothy comedy The More the Merrier; and the Spanish Civil War tearjerker For Whom the Bell Tolls. Also falling that year were The Human Comedy, Heaven Can Wait, In Which We Serve, Song of Bernadette, The Watch on the Rhine, and Madame Curie.

Another injustice here as the crowd-pleasing story of a priest in a tough parish (crooner Bing Crosby) vacuumed up seven Oscars, including the top prize. The film earned millions, and beat out the far superior

(as in President Woodrow).

with Frank Sinatra and Gene Kelly.

The poignant story of troubled veterans returning from World War II to hardship at home bested Frank Capra’s perennial Christmas favorite, It’s a Wonderful Life, along with Henry V, The Razor’s Edge and the beloved children’s movie, The Yearling. Also notable in 1946 were several great films that weren’t even nominated for Best Picture, including Hitchcock’s tense spy thriller Notorious; British tearjerker Brief Encounter; racy western Duel in the Sun; and the classic noir crime film The Killers.

In arguably the weakest year of the decade,

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Okay, it’s Shakespeare, it’s Sir Laurence Olivier, it’s great art, it's Hamlet – but I still think Treasure of the Sierra Madre is a better movie, and should have won. Nevertheless, John Huston’s classic story of human greed and frailty lost to the Bard of Avon’s great historical play. Shakespeare also won out over the mental-illness expose The Snake Pit, Jane Wyman as a deaf-mute rape victim in Johnny Belinda, and the cerebral ballet movie The Red Shoes.

Broderick Crawford astounded in All The King's Men, a great movie about American politics from a great American novel, clearly based on the life of Louisiana Governor Huey Long. It triumphed over the popular war film Twelve O'Clock High (which inspired a TV series); Olivia De Haviland in The Heiress; a clever comedy on married life, A Letter to Three Wives, and Battleground, a World War II story.