Top Alabama Songs of the '80s

In terms of consistency and eye-opening pop music success, few bands of any genre could match the sparkling catalogue of hits posted by country pop band Alabama during the '80s. The group's songs - whether carefully selected from Nashville songwriters or generated by members of the band - were everywhere on North American radio, and the quality of the performances and songcraft was often substantially high. Here's a chronological look at Alabama's best songs of the '80s, which all reached the top spot on Billboard's country charts.

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"Tennessee River"

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In 1980, this song became Alabama's first No. 1 country music hit of many to come in both the U.S. and Canada. It failed to make a mark as a crossover hit, but its savvy blend of traditional, fiddle-fueled country with rock guitars and accessible pop melodies easily could have done so. The song is one of several written by guitarist and frontman Randy Owen, and it works very well more than three decades later as a memorable country pop tune that celebrates all layers of the band's influences. There are touches of country rock and Southern rock here as well as soft rock and straight-ahead country, and in that way Alabama set the stage for a decade of dominance.

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"Old Flame"

By the release of 1981's 'Feels So Right,' Alabama had already become country superstars.
Album Cover Image Courtesy of RCA Records

Alabama's keen sense of nailing near-perfect country pop shows through on this 1981 track, an undisputed classic ballad of that genre that served as the lead-off single from Feels So Right. Although it didn't quite make the Hot 100 on Billboard's pop charts, the song certainly paved the way for what would be Alabama's brief but potent run as a major crossover artist of the era. It's no accident that co-composer Mac McAnally would go on to pen one of country's finest songs ever in "All These Years." This song boasts a strong, unforgettable melody and delivers with genuine pathos a heartrending tale of heartache.

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"Feels So Right"

Alabama continued its mastery of the highly popular soft rock and urban cowboy sound of the time on this mellow, lovely tune of romantic devotion. Still, other than some strings that provide orchestration, the song relies mostly upon a simple guitar-bass-drums approach anchored by the smooth vocals of songwriter Owen. Composed by Owen as a very young man years earlier, this track became the group's first genuine crossover hit, peaking at No. 20 on Billboard's pop charts. More importantly, it widened the appeal of an already welcome, unintimidating ensemble of what seemed like regular guys.

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"Love in the First Degree"

Alabama scarcely bothered to hide its considerable rock music elements, as the band often appeared on stage or in promotional videos with only electric guitars. Lead guitarist Jeff Cook, in fact, typically used a double-neck electric during the band's emergent period. This embrace of genres other than traditional country certainly didn't hurt the group's reception, mainly because a song like this boasts such a disarmingly impressive melody. Becoming Alabama's biggest pop hit at No. 15 in 1981 (and also its peak adult contemporary showing at No. 5), this song officially established the band as '80s music fixtures.

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"Take Me Down"

Alabama's 1982 LP 'Mountain Music' erred on the side of pop more often than not, but it maintained the band's massive country music success.
Album Cover Image Courtesy of RCA Records

Following the traditional country music romp "Mountain Music," Alabama sustained a healthy, laid-back momentum by posting its third and final Top 20 pop hit from 1982's Mountain Music LP. The group's exploding popularity meant that fewer of its songs featured internal songwriting, but Owen & Co. demonstrated a solid ability to choose songs from the ongoing Nashville machine that perfectly suited its place in the industry. This is pleasant stuff that certainly sidesteps controversy or provocation, but there's no doubt it's well-crafted and skillfully presented.

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"Dixieland Delight"

Alabama continued its string of hits with 'The Closer You Get,' balancing country pop with a more traditional tune like "Dixieland Delight."
Album Cover Image Courtesy of RCA Records

Alabama returned to the traditional country well for this early 1983 smash, and the result retains plenty of credibility outside the realms of soft rock and country pop. Original hit songs became increasingly scarce for the band at this peak stage, but the sparkling harmony vocals from Cook and Gentry provide welcome support for another standout lead vocal turn from Owen. This is a band that always understood its strengths, multi-faceted and balanced as this track clearly proves Alabama to be.

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"The Closer You Get"

Opportunistic country pop band Exile must have been envious of Alabama, as this highly pop-friendly single became the second song written by the first band's J.P. Pennington and Mark Gray to become a much bigger hit for Alabama. In fact, this track employed slick echo drum effects to help it become Alabama's fourth and final Top 40 pop hit of the decade. Despite not having written it, Owen sings this tune as if he did, yet more evidence of the shiny professionalism that has always distinguished Alabama from all competitors.

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"Lady Down on Love"

Single Cover Image Courtesy of RCA Records

The inclusion of this song on this list instead of 1984's up-tempo, blue-collar "Roll On (Eighteen Wheeler)" will not please all Alabama fans, and that fact certainly demonstrates the challenges posed by a catalogue this consistent. However, this track - written by Owen - is a serious heartbreaker, dealing straightforwardly with the pain and sorrow of divorce from the perspective of both the wronged woman and wandering, neglectful man in this particular imagined scenario. Full of emotional depth, this is a ballad with some serious punch, again proving Owen to be a deft, nuanced songwriter.

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"There's No Way"

1985's '40-Hour Week' contained some fine singles, including the lovely "There's No Way."
Album Cover Image Courtesy of RCA Records

Throughout its spectacular '80s run, Alabama continuously engineered an impressively balanced attack consisting of earnest, melodically pleasing love ballads and good-time pure country songs. 1984's Roll On presented a particularly strong example of this approach, putting forward two slow chart-toppers and two faster ones - in the title track and "If You're Gonna Play in Texas." Nevertheless, I skip ahead to this lovely 1985 ballad from that year's 40-Hour Week because it represents so accurately the top strengths of Alabama. The quality of the group's music had perhaps begun to wane slightly by 1985, but the charts certainly wouldn't provide evidence of that for several more years. A great central melody and passionate vocal performance from Owen dominate here.

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"Song of the South"

Album Cover Image Courtesy of RCA Records

Sporting its geographical name by more than mere happenstance, Alabama frequently celebrated its Southern heritage through its recordings, and this 1988 track stands arguably as the group's finest anthem of this type. A look back at the Depression-era struggles of a typical agricultural family, this upbeat but substantial number belies its somewhat slight sing-along chorus. Another example of Alabama taking a song recorded multiple times by other artists without major success and turning it into a bona fide smash, this 1988 standout from Southern Star is vintage old-time Alabama.